April 15, 2012 · 5:52 pm
THE WEEK FROM MY VIEW
by James Killough
As an aspiring narcissist, I’m not one for watching sports unless it’s something I’ve practiced myself, which limits me to swimming and boxing. I am glued to the TV when the Olympics roll around for the former, and will watch the latter on the rare occasions I’m in a sports bar and it happens to be on. The third sport I’ve participated in from time to time and play reasonably well is a good ol’ film industry smackdown, and none was more amusing to watch than the epistolary dustup between Mel Gibson and writer Joe Eszterhas this week.
It's not just because he works out at our gym, or because he bowed out of Tarantino's "Django Unchained." Gordon-Levitt stars in "Loopers," which from the trailer looks badass.
What happened is the highly overrated, long-standing joke Eszterhas—the screenwriter behind Basic Instinct, Flashdance and, most notoriously, Showgirls—mouthed off in a nine-page tell-all email to Gibson after Eszterhas’ script for The Untitled Maccabee Project was rejected by Warner Brothers. Of course, he leaked the email to the press, most notably to The Wrap, an industry website that appears to have taken his side, presumably in the hope of getting all of those “exclusives” from Eszterhas, which kept popping up as alerts on my BlackBerry as the whole silly saga unfolded.
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Filed under Killough Chronicles, The Week From My View
Tagged as Barnes Collection, Diane Pernet, Django Unchained, Jean Paul Gaultier Diet Coke, Joe Eszterhas, Mel Gibson, Quentin Tarantino, Sharon Waxman, The Art of the Steal, The Wrap, Titanmen Porn
June 26, 2011 · 5:15 pm
by Eric J Baker
Editor’s Note: This marks the 100th post on the PFC blog, which wouldn’t mean much if this were TMZ with a dozen fluffy gossip posts an hour, but a PFC piece requires a lot of TLC to create. It’s only appropriate that Eric Baker take this honor because it is he who kicked us over the 4,000-views-a-day mark on Friday with his Duran Duran story. — James Killough
We were talking movie directors here the other day (actually, I was talking movie directors and Killough was like, “Yeah whatever, Baker—shut the fuck up—I know”) and Roman Polanski came up, not for his movies but for his marriage to Sharon Tate. The Polanski-Tate union suffered from the dreaded Billy Joel-Christie Brinkley syndrome years before medical science had even identified the disease, which occurs when an ugly, talented man marries a beautiful, possibly talented, but who cares, she’s a goddess, woman. And Sharon Tate was a goddess.
But, Sharon, why Frodo? WHY?
You may know that Tate was murdered in 1969 by Charles Manson’s gang and that Polanski went on to perpetrate a sexual act against a 13-year-old girl in the mid 1970s. Continue reading →
Filed under Baker Street
Tagged as Alina Pascau, Billy Joel, Brett Ratner, Charles Manson, Christie Brinkley, Christoph Waltz, Clint Eastwood, Corey Stoll, David Bowie, David Cronenberg, Django Unchained, Duran Duran, Eric Baker, Film Directors, Hobbits, Inglourious Basterds, James Killough, James Tuttle, Jamie Foxx, Kathy Bates, Leonardo Di Caprio, Megan Fox, Mia Farrow, MIdnight in Paris, Motherfucker, Owen Wilson, Paul Gaugin, Pedophiles, Philip Glass, pure film creative, Quentin Tarantino, Rachel McAdams Ass, Roman Polanski, Rosie Huntington Whiteley, Sergio Leone, Sharon Tate, Spirit of the Dead Keep Watch, Stanley Kubrick, Tehura, The Bad and the Ugly, The Good, Transformers: Dark of the Moon, Underage Sex, Uwe Boll, Woody Allen